Category: The Written Word


Caught up to cinematographer Bill Pope, ASC to talk about his visual work on Baby Driver for Panavision. Read more.

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The second season of the head-trippy series Sense8 is streaming on Netflix. Academy Award-winning cinematographer John Toll, ASC talks about his strategy of using Panavision to shoot the continent-hopping series. Read more…

Still catching up on posts. Here is one on the film Allied (2016) for Panavision and its subsidiary Light Iron used by cinematographer Don Burgess, ASC and director Robert Zemeckis. Read more.

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Catching up on posts. Here’s one for Panavision on cinematographer Ben Davis, BSC shooting large format for Marvel’s Doctor Strange (2016). Read more.

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DP Larry Fong, ASC opts to shoot on Kodak film for Zack Snyder’s Batman v Superman: Dawn of Justice. Read more.

By using Panavision’s Panavised ARRI Alexa XT cameras, cinematographer Benoit Delhomme, AFC creates a realistic, documentary look for Free State of Jones, a Civil War-era film for director Gary Ross. Read more.

Caught up with cinematographer Adam Stone a while back about his work with director Jeff Nichols on Midnight Special and their continued association with Panavision. Read More.

Cinematographer Michael McDonough ASC, BSC taps Panavision anamorphics for the series Fear the Walking Dead, a piece I wrote a little while back for Panavision. Read more.

DP Anthony Dod Mantle talks about his first Panavision experience and being drenched for the production of In the Heart of the Sea. Read more.

Cinematographer Mitchell Amundsen and 1st AC Todd Schlopy give high praise to the new Panavision Primo 70 lenses they used on Ride Along 2. Read More.