Tag Archive: Kodak


Caught up to cinematographer Bill Pope, ASC to talk about his visual work on Baby Driver for Panavision. Read more.

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DP Larry Fong, ASC opts to shoot on Kodak film for Zack Snyder’s Batman v Superman: Dawn of Justice. Read more.

Caught up with cinematographer Adam Stone a while back about his work with director Jeff Nichols on Midnight Special and their continued association with Panavision. Read More.

Carol has been getting quite a bit of praise in the critics’ circles, as has cinematographer Ed Lachman, ASC for his lensing of the post-war drama. I caught up with him to talk about his use of Kodak film stocks for the movie. Read more.

Jurassic World offered cinematographer John Schwartzman, ASC a rare opportunity to develop a new aspect ratio to film (yes, he shot on film) with his Panavision gear, as told to Panavision online. Read more here.

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Caught up with cinematographer Haris Zambarloukos, BSC to talk about the filming of director Kenneth Branagh’s Cinderella, a modern-day variant of classic filmmaking. Shot on film with Panavision. Read more here.

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Coverage of the production of “Beside Still Waters,” an independent feature shot on Kodak film stock that appears in Kodak InCamera magazine. Read about it HERE.

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My interview with director of photography Oscar Faura about his cinematography on The Imitation Game, starring Benedict Cumberbatch as the great cryptanalyst Alan Turing, for Kodak’s InCamera magazine–because he shot it on film of course! Read more…

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Fishtail, a documentary directed by Andrew Renzi and shot by Joe Anderson, was shot on Super 16mm film. Read about it in my article in Kodak’s In Camera magazine:

Read Here

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Russ Alsobrook, ASC on the shooting of “Tammy” for Kodak In Camera.

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