Tag Archive: alexa

By using Panavision’s Panavised ARRI Alexa XT cameras, cinematographer Benoit Delhomme, AFC creates a realistic, documentary look for Free State of Jones, a Civil War-era film for director Gary Ross. Read more.


Cinematographer Michael McDonough ASC, BSC taps Panavision anamorphics for the series Fear the Walking Dead, a piece I wrote a little while back for Panavision. Read more.

Nigel Bluck, ACS on choosing Panavision lenses for HBO’s True Detective 2 series for Panavision Online.

Read more here.


Cinematographer John Seale, ASC, ACS was a great interview, offering some wonderful anecdotes regarding director George Miller and the production of Mad Max: Fury Road for Panavision online. Read more here.

Mad Max Fury Road (2) Fury Road (14)

Cinematographer Lowell Peterson, ASC–a longtime Panavision champion–talks about his work on the TV series Jane the Virgin and the role Panavision plays. Read more.


After chatting with cinematographer Dion Beebe, ASC, ACS  for Edge of Tomorrow not long ago, I caught up with him again to discuss his working with Panavision London on the musical Into the Woods for Panavision Online. Read more here. . .

ITW3_James Corden Emily Blunt Meryl Streep_by Peter Mountain ITW-00208_Dion by Peter Mountain

Fred Murphy, ASC, now on his sixth season of the hit TV series The Good Wife, discusses his lifelong commitment to Panavision and the use of Panavision gear and support on the show. I wrote this one, naturally, for Panavision. Read more…

Fred Murphy, ASC

Fred Murphy, ASC

Cinematographer Svetlana Cvetko discusses her use of OConnor fluid heads and camera support gear while shooting The Architect. I wrote this one for OConnor. Read more…

Svetlana Cvetko

Svetlana Cvetko

Wrote this one up for Panavision’s site, talking with Lawrence Sher, ASC about his work shooting Zach Braff’s film Wish I Was Here using. . . Panavision lenses and Panavised Arri Alexas. Sher shot Braff’s hit Garden State a decade ago.

Read about Wish I Was Here here

Wish I was here (3)