Tag Archive: arriflex

By using Panavision’s Panavised ARRI Alexa XT cameras, cinematographer Benoit Delhomme, AFC creates a realistic, documentary look for Free State of Jones, a Civil War-era film for director Gary Ross. Read more.


Cinematographer Michael McDonough ASC, BSC taps Panavision anamorphics for the series Fear the Walking Dead, a piece I wrote a little while back for Panavision. Read more.

Cinematographer John Seale, ASC, ACS was a great interview, offering some wonderful anecdotes regarding director George Miller and the production of Mad Max: Fury Road for Panavision online. Read more here.

Mad Max Fury Road (2) Fury Road (14)

Cinematographer Lowell Peterson, ASC–a longtime Panavision champion–talks about his work on the TV series Jane the Virgin and the role Panavision plays. Read more.


Fred Murphy, ASC, now on his sixth season of the hit TV series The Good Wife, discusses his lifelong commitment to Panavision and the use of Panavision gear and support on the show. I wrote this one, naturally, for Panavision. Read more…

Fred Murphy, ASC

Fred Murphy, ASC

Cinematographer Svetlana Cvetko discusses her use of OConnor fluid heads and camera support gear while shooting The Architect. I wrote this one for OConnor. Read more…

Svetlana Cvetko

Svetlana Cvetko

DigiCinema     David Stump, ASC has written a book, and why not? After all, he has done everything else. His work in and knowledge of digital cinematography is impressive, and his visual effects shooting is aces. Amazingly, he has condensed his vast knowledge into this excellent reference book available now.

And I’m not praising the book just because it contains my lengthy treatise on color space. (It does. Just see Chapter 4.) Rather, it is a great resource; I’ve been using it since it came out.

Available for purchase here:

The ASC Store


Fishtail, a documentary directed by Andrew Renzi and shot by Joe Anderson, was shot on Super 16mm film. Read about it in my article in Kodak’s In Camera magazine:

Read Here

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